"Soul of a Harper" by Marc Gunn

by Michelle Osborne

I first came across Marc Gunn in a Celtic music community I belonged to. Intrigued by his intelligent comments, I wandered over to his website and discovered several mp3s from both him and his duo, The Brobdingnagian Bards (who he has several other CDs available with). I never quite know what to expect from independent artists. I was very pleased to find that Marc's music (and the Bards as well) is the kind that is easy to fall in love with upon first listening to it.

Soul of the Harper, released in 2004, is a compilation of Marc's solo endeavours from 2000-2003. The music ranges from solo autoharp instrumentals to both traditional songs and tunes. This is, perhaps, the true beauty of this album, and gives you a true picture of what this artist is about. It is not purely traditional, purely composed, purely song, or purely instrumental. It is a combination of all four of these elements, which enables the music to stay fresh with each subsequent track.

Highlighting a few of my particular favourites on this album is difficult, as I enjoy each song and tune. "The Parting Glass" is one of the highest points of the album. A traditional Irish song sung with no accompaniment, it is soulfully rendered by Marc's deep, velvety voice. Also a high point is "The Leprechaun," one of Marc's composed songs, which shows his humourous side. Written in 2001, it's chock full of silly voices that are bound to make you laugh, as well as some light self-mockery, and creates an analogy between the modern idea of a Leprechaun and the unfortunate antiquated thinking of some Celtic musicians. Upbeat with a rollicking autoharp accompaniment, this song is just fun to listen to. On the more serious side of Marc's own songs is "The Bridge," a song about the distances so many will go for love.

At turns romantic, silly, nostalgic, and fun, this album has something for everyone on it and comes highly recommended.

Artist: Marc Gunn

   Buy the Album: Soul of a Harper

 

Celtic MP3s Music Magazine writer, Michelle Osborne, a native to the central New York region, plays both high and low whistles regularly with the Syracuse Irish session. Besides being heavily involved in Irish traditional music, she is also a classical clarinetist and composer.